Harrow the Ninth is the utterly full of mood sequel that we needed for the Locked Tomb; the prose sings old harmonies from an ancient turntable, the needle screeching in eloquent – but drawn out – screams that dig deep into a sense of misguidance, a sense of the unknown dipped into depression and coated in necromancy. This sequel takes the gothic laboratory in space, seeped in mystery and necromantic theorems and flips it upside down with planet-sized Beasts of the Resurrection, terrorist orgs with nukes, God himself, Necrosaints to the Lord Undying, and bones … lots of bones.

