I’m a big Adrian Tchaikovsky fan. Children of Time is a modern classic and stands as my favorite sci-fi novel of all time while Cage of Souls is a vastly underrated and incredible novel. Tchaikovsky’s works are always incredibly innovative and creative. From Elder Race (a fun novella which mixes fantasy and sci-fi) to his Shadows of the Apt series (a fantasy book with insect type races which I need to read more of) there’s always some interesting worldbuilding and fascinating ideas going on – and Shards of the Earth is no exception.
The Final Architecture
Review: Eyes of the Void (The Final Architecture #2) by Adrian Tchaikovsky
Many sci-fi fans speak of the Golden Age of Science Fiction as something that has long since passed. Whether it’s the 1930’s, ‘40s or ‘50s, the days of Asimovs, Heinleins, “Doc” Smiths, Bradburys and more are a forlorn memory… right? From my perspective, the answer is “Hell no!” The last decade or two has seen a stunning resurgence of sci-fi and space opera that recaptures the magic of far-flung galaxies, grand ideas, scientific marvels, strange aliens and more, but at the same time delivering fast-paced, engaging narratives and characters who are actually relatable. One author who stands at the forefront of this modern movement is Adrian Tchaikovsky.
Tchaikovsky showed his natural talent for the genre with the 2015 novel Children of Time. Since then, he has honed his craft with every release (and he releases a lot of books with unbelievable frequency), and his new series The Final Architecture, starting with last year’s Shards of Earth, is space opera at its very best.
Author Chat: Adrian Tchaikovsky
Join FanFiAddict’s Adrian M. Gibson and author Adrian Tchaikovsky for a chat about his long writing journey, the galactic worldbuilding, politics and characters of The Final Architecture series, his personal history with biology and zoology, creating strange alien races and writing empathetic aliens, the contrast between writing fantasy and science fiction, how he approaches research and much more.