Review: Undead Folk by Katherine Silva

Rating: 8/10

Synopsis

Beyond the smoke-choked skies of an apocalyptic United States, a woman travels the desolate railroad tracks of a small town in search of revenge and a quiet place to settle. Her only companion is an undead fox: animated with backwoods herbal magic and the soul of a middle-aged father who died before the world fell into darkness.

Undead Folk is a short, harrowing tale of sacrifice, loss, and damnation.

Review

I won the special edition hardcover during a Twitter giveaway and decided to bump it up my TBR to add another read in for May. The hardcover has this great cover art, and the chapter pages had a nice fox image to match the story. 

This is a grief horror that mixes backwoods magic with a story of revenge. Our main character is seeking vengeance for wrongs done to her family, but she doesn’t want to do so alone. Therefore she uses her herbal magic and an undead fox to bring back part of the soul of her father. I enjoyed as the story unpeeled how the magic was done, using water from behind the family home, and herbs from where he was buried to link the ceremony together. 

But how much he remembers, and how well he will take this resurrection into the body of an animal, are up in the air. And will he be an accessory to the vengeance, or the unwanted voice of reason? 

In a short number of pages, the author does a great job of creating such a bleak world and atmosphere. In that way, it reminded me of one of my favorite zombie reads, Worse Than Dying by Brett Van Valkenburg (read my review here). While Undead Folk is post apocalyptic, there hasn’t been an entire eradication of the human race, though humanity can be awfully dark. Our main has to face this darkness, while trying to manage her own grief, and certainly some darkness of her own, all in the name of survival. 

While this does take the reader through different phases of the main’s grief, I was surprised that it was a bit less sad than I was expecting, but then again, it did have a big focus on revenge. Either way, it certainly sits on the shelf of grief horror with the likes of Clay McLeod Chapman’s latest, Stay on the Line (read my review here).